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Galerie Ezakwantu

African Art       Franschhoek South Africa       Tribal Art

 

Central and Southern African Tribal Art

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African Musical Instruments

 Instruments de Musique Africains - Afrikanische Musikinstrument

 

 

 

 

 

 

 

Mbukushu Drum - Bostwana

 

ex / Botswana Council of Churches Museum

 

 

 

This is an early collected Mbukushu drum which was probably made in Angola. People began to leave Angola from 1961, at the outbreak of the war for independence. Mbukushu sought refuge in the Caprivi Strip (South West Africa - Namibia), the Okavango Delta (Botswana) and Zambia.

 

Click thumbnails to view a larger image.

 

Open the images above to better view the drums carving.

 

 

 

 

Etsha 6 is a small town that grew from an influx of Mbukushu refuges during the war. The Botswana Council of Churches assembled a cultural museum at their mission, which closed in 2009. Some of the items the gallery purchased are seen above. The drum stands to the right of the lady with a broom and black cap.

 

 

This is a very tall drum standing at + - 126 cms - or 49.5 inches.

 

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Ba Tonga Drums

 

Zambia - Zimbabwe

 

Budima Funeral Drums of the BaTonga

 

 

 

Ba Tonka Celebration - Zambia - 1991

 

The Batonga (Batonka - Ba Tonka - Batonga) had lived for centuries along the north and south bank of the Zambezi River, known locally as Gwembe. They currently live on either side of Lake Kariba. In 1960, the Kariba dam hydroelectric project was completed, creating the largest manmade lake or reservoir ever built. The Gwembe Valley was flooded and the Ba Tonka relocated by rising waters (sometimes forcibly). The lake created a physical separation. Villagers who once looked across the river at each other or went there to farm, now had to travel up to 40 kilometres across by boat. (20 miles). This division as further reinforced when the lake itself was divided into the nations of Zambia and Zimbabwe. (Prior to this the region had been a part of the British Federation of Rhodesia and Nyasaland.)

 

 

Lake Karbia - Zambia Top - Zimbabwe Bottom - Dam wall Right

 

 

The Ba Tonga nation had been divided by exposure to European colonial rule like no other tribe on the African continent. Half a century later, and despite the turbulence of alternating political and economic upheavals, the Ba Tonga of Zambia and Zimbabwe remain a recognizable ethnic group. A single uniting force that drove a people to bind, were their communally owned funeral drums.

 

 

 

Our trio of BaTonga Budima Drums - which include a rare mother drum.

 

 

African Drums - Ba Tonga Funeral Drums

 

African drums or membranophones, produce sound by way of vibrating a stretched membrane, usually hide.

 

Music plays a significant role in the life of the Ba Tonka community. Drumming is by far their most important musical activity. It provides a mode for personal expression and a means of communication between people, villages and the spiritual world.

 

The trio of drums on offer (above and further down) are funeral drums called Budima. This shape is unique to the Tonga people and as such, they are their most recognizable drum form. The center example is a rare Mother Drum, which is always the largest of a set numbering up to 20. Drums are sheltered in communal structure as below.

 

 

 

Ba Tonka Drums in Communal Storage - Zimbabwe - 1991

 

 

The reverse side of our trio of Ba Tonka Drums

 

Funeral drums are not only played at funerals. Gallery Ezakwantu photographed many sets that came together during a Zambian political rally in 1991. President Kaunda (waving his pathetic trademark white handkerchief) made an appearance - while villagers were trucked in with drum sets from 100 kilometres away. The good president left fifty 200 litre drums of Chibuku - a local African millet beer - which evolved into a 3 day party. We made a video on old VHS tape, which we intend to convert and add to this page! In the meantime, enjoy the next picture, as well as the uppermost and very last in this section.

 

Even in such an atmosphere, with maybe 200 drums present, we failed to purchase one. The reason?

 

 

 

Ba Tonka UNIP Rally - Zambia - 1991

 

Funeral drums were traditionally made from a tree that grew along the banks of the Zambezi river. The trees lived up to 300 years, but were submerged by Lake Kariba. Unable to make a replacement, people became reluctant to sell even the smallest examples. Adding to the difficulty of a purchase, the drums were not owned by individuals, but collectively by a number of villages. Invariably, one or more village elders were not to be found, which made it impossible to arrive at consensus. This matter of fact explanation - goes far to confirm that the traditions and culture of the Gwembe Ba Tonga, are intricately bound in a large part, by funeral drums.

 

Click thumbnails below to view larger images of our drum trio offered as a set.

Clive Venning collected these drums during the 1980's. At the time, Clive was an aspiring photographer working in the area. He made numerous trips and photographically detailed the tribal peoples on both sides of the Zambezi / Lake Kariba.

 

This is the largest of the three Tonga Budima drums - known as the Mother drum. Adding to her character, the old partially painted base was covered in hide. There is also a charming tin repair on the body. This drum stands at  + - 90 cms tall and almost 60 cms wide. (+ - 35 x 24 inches) 

 

Click thumbnails above to view larger images of our drum trio offered as a set.

 

With few exceptions, men make and play Ba Tonka drums. Each drummer plays one drum. They have a single pegged hide skin and stand on a hollow pedestal, like a goblet. When the crowd moves, the drummer carries the drum with a sling over the shoulder. Visually stimulating historic theatrical productions are enacted. Other men blow funeral whistles, made of horn or wood. Women provide accompaniment by clapping their hands and shaking rattles and they are the main singers.

 


 

Ba Tonga Celebration - Zambia - Circa 1990

 

Click here to view two fine Ba Tonka stools in our African Thrones - Stools - Chairs section.

 

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Makonde Drum

 

Mozambique - Tanzania

 

 

This tall slender drum that has a well used 'thin' leather surface and retains a great tone.

 

       

 

It has exciting aluminum (aluminum) repairs at the base. Even the nails are aluminum.

 

Unlike most Makonde artifacts, there is nothing at all fake about this drum. 

 

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Thumb Pianos - Lekembe - Mbira

 

 

Western Zambia - Angola - DRC - Botswana

 

 

Click pictures to view a larger image.


Lekembe and Mbira,  are generic names for several African thumb pianos or lamellophones. Tongues or keys can be made of wood, iron or bamboo. In South Africa thumb pianos are called kalinda or kalimba and sometimes sansa. The object on offer is typical of those used in south western Congo, western Zambia and much of Angola. This came to us from an estate sale which included mostly southern African beaded objects - many dating to the 1940's. Hornets wax was added to seal a carved compartment. (upper right image)

 

 

         

  Old Man                            Girl playing similar Lekembe - Circa 1950                               Another

 

 

  Click picture to view a larger image.

 

In south western Congo, western Zambia and much of Angola, a thumb piano is called Casagi, Lekembe and Sanza. Marie Louise Bastin referred to related examples in Angola as Lungandu. The carved incised face is a representation of an initiation mask.

 

Click pictures to view a larger image.

 

Note the iron collar beads added to create a rattle on some keys or prongs.

 

This example is large and produces an excellent sound.

 

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Ovimbundu Harp

 

Angola

 

 

             

 

Collected between 1885 and 1925 by Marion Webster


 

Marion Webster - Central Angola - 1900

 

Purchased from Mary A. Webster, a relation of Henry Ardell Webster, born September 21, 1858. Henry Webster married Marion Murchie in 1887. Both traveled to Africa under the employ of the American Board of Foreign Missions. Henry died of malaria at  Benguela during his first year in Africa.

 

Click thumbnails to view a larger image.

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This object is between 80 and 120 years old.

 

 

 

Marion remained a missionary in Angola for over 40 years, living at Bailundo.

 

 

Webster Hall was built in the nearby town of Dondi, Webster Hall was built.
 

Click thumbnails to view a larger image.

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An indecipherable label begins with the word "Native".
 

Mary A. Webster, presently 92 years old, (2007) recalls that she was a grade school aged girl when her aunt Marion came home on furlough. She recalls that aunt Marion held talks and showed off African items to church members and other community groups during her stay.

 

Marion's letters from the mission are mentioned at this Harvard University Site

 

http://oasis.harvard.edu:10080/oasis/deliver/~hou01805

 

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Chokwe Whistle circa 1900

 

Congo - DRC - Tshokwe Whistle

 

 

Click thumbnails to view a larger image.

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Purchased through an English auction house.

 

Whistles such as this were used by men while hunting. The carved face is that of Mwana Pwo, who is often seen in related court art. Her coiffure indicates 19th century origin.

 

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Musical Flute Bow

 

South Africa - Tsonga - Zulu

 

This example was collected during the 1940's by Anna Dekenah, who farmed near Tzaneen, South Africa. To our knowledge, these items are no longer found in the field and rarely found in collections.

 

 

The poker worked crosses on the glossy surface indicate this flute bow  to be of Portuguese Mozambique origin. The image on the right includes an old weathered tube the object fits inside of for protection, which explains why it is in such good condition...

 

 

The Tsonga - Shangaan peoples called these instruments "umqangala". Note the similar poker worked example (5) above.

 

 

Zulu boy playing an  umqangala. Circa 1930's

 

THE BANTU TRIBES OF SOUTH AFRICA - THE NGUNI - THE ZULU

 

The Plate reads;

 

This instrument is called the umgangala. Note the absence of a resonator; the mouth cavity is used for that purpose, the end of the instrument being held in the mouth. Different sounds are produced by the fingering of the string by the right hand.

 

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Gray things

 

 

 

 

 

 

 

 

 

African Rattles - Anklets

 

Bushman - San - Swazi - Venda - Chokwe

 

Click pictures to view a larger image.

 

Southern African cultures collect cocoons after the moths have emerged. They are then partly filled with small stones and stitched onto fiber or leather. This anklet is from Southern African with probable origins being Swazi, Venda or Zulu peoples. The Swazi, Venda and Zulu's utilize Argema mimosae cocoons to make their anklets, whereas the San or Bushmen used Gonometa cocoons called xododzi. We are unable to identify this cocoon species, but can confirm they are not strung together in the double cord San - Bushman manner.

 

 

Chokwe - Luchazi - Mbunda - Luvale

 

Click pictures to view a larger image.

This pair of anklets were made from the dried fruit of the oncoba spinosa tree. Snuff bottles, hand rattles and tinderbox containers were also made from the fruit called by some - Daza.  One half of the pair has three lines of fruit while the other remains with two.

 

            

 

Barbara Tyrrell - Pete Jurgans - Western Zamibia - 1949

 

 

Manuel Jordan - Marc Leo Felix - Makishi Lya Zambia

 

Costumes representing ancestors were danced at Chokwe (and related peoples) boys circumcision celebrations called Mukanda. Anklets  made of the Daza fruit were worn on the lower legs.

 

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Galerie Ezakwantu

African Art       Franschhoek South Africa       Tribal Art

 

Central and Southern African Tribal Art

 

 

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